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Verve Jazz Masters 25 - Stan Getz & Dizzy Gillespie (1994) [Jazz][mp3 192][h33t][schon55]

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Verve Jazz Masters 25 - Stan Getz & Dizzy Gillespie 

Audio CD: October 4, 1994 

Original Release Date: October 4, 1994 

Label: Polygram Records 

Bitrate:192 kbps



One of the all-time great tenor saxophonists, Stan Getz was known as "The Sound" because he had one of the
most beautiful tones ever heard.  Getz, whose main early influence was Lester Young, grew to be a major influence
himself and to his credit he never stopped evolving.  Getz had the opportunity to play in a variety of major swing big
bands while a teenager due to the World War II draft.  He was with Jack Teagarden (1943) when he was just 16 and this
was followed by stints with Stan Kenton (1944-1945), Jimmy Dorsey (1945), and Benny Goodman (1945-1946); he soloed on a
few records with BG.  Getz, who had his recording debut as a leader in July 1946 with four titles, became famous during
his period with Woody Herman's Second Herd (1947-1949), soloing (along with Zoot Sims, Herbie Steward, and Serge
Chaloff) on the original version of "Four Brothers" and having his sound well-featured on the ballad
"Early Autumn."  After leaving Herman, Getz was (with the exception of some tours with Jazz at the
Philharmonic) a leader for the rest of his life.  During the early '50s, Getz broke away from the Lester Young style to
form his own musical identity and he was soon among the most popular of all jazzmen.  He discovered Horace Silver in
1950 and used him in his quartet for several months.  After touring Sweden in 1951, he formed an exciting quintet that
co-featured guitarist Jimmy Raney; their interplay on up-tempo tunes and tonal blend on ballads was quite memorable. 
Getz's playing helped Johnny Smith have a hit in "Moonlight in Vermont," during 1953-1954 Bob Brookmeyer made
his group a quintet and, despite some drug problems during the decade, Getz was a constant poll winner.  After spending
1958-1960 in Europe, the tenorman returned to the U.S. and recorded his personal favorite album, Focus, with arranger
Eddie Sauter's Orchestra.  Then, in February 1962, Getz helped usher in the bossa nova era by recording Jazz Samba with
Charlie Byrd; their rendition of "Desafinado" was a big hit.  During the next year, Getz made bossa
nova-flavored albums with Gary McFarland's big band, Luiz Bonfá, and Laurindo Almeida, but it was Getz/Gilberto
(a collaboration with Antonio Carlos Jobim and João Gilberto) that was his biggest seller, thanks in large part
to "The Girl From Ipanema" (featuring the vocals of Astrud and João Gilberto).  Getz could have spent
the next decade sticking to bossa nova but instead he de-emphasized the music and chose to play more challenging jazz. 
His regular group during this era was a piano-less quartet with vibraphonist Gary Burton, he recorded with Bill Evans
(1964), played throughout the 1965 Eddie Sauter soundtrack for Mickey One, and made the classic album Sweet Rain (1967)
with Chick Corea.  Although not all of Getz's recordings from the 1966-1980 period are essential, he proved that he was
not shy to take chances.  Dynasty with organist Eddie Louiss (1971), Captain Marvel with Chick Corea (1972), and The
Peacocks with Jimmy Rowles (1975) are high points.  After utilizing pianist Joanne Brackeen in his 1977 quartet, Getz
explored some aspects of fusion with his next unit which featured keyboardist Andy Laverne.  Getz even used an Echoplex
on a couple of songs but, despite some misfires, most of his dates with this unit are worthwhile.  However, purists were
relieved when he signed with Concord in 1981 and started using a purely acoustic backup trio on most dates. Getz's
sidemen in later years included pianists Lou Levy, Mitchell Forman, Jim McNeely, and Kenny Barron.  His final recording,
1991's People Time, (despite some shortness in the tenor's breath) is a brilliant duet set with Barron.  Throughout his
career Getz recorded as a leader for Savoy, Spotlite, Prestige, Roost, Verve, MGM, Victor, Columbia, SteepleChase,
Concord, Sonet, Black Hawk, A&M, and EmArcy among other labels (not to mention sessions with Lionel Hampton, Dizzy
Gillespie, and Gerry Mulligan) and there are dozens of worthy records by the tenor currently available on CD. ~ Scott
Yanow, All Music Guide



Verve Jazz Masters 25 - Stan Getz & Dizzy Gillespie Tracks:

01  It Don’t Mean A Thing (If It Ain’t Got That Swing) 6:41 

02  Dark Eyes 12:11 

03  Be-Bop 12:50 

04  It’s The Talk Of The Town 6:50 

05  The Mooche 11:17 

06  The Way You Look Tonight 13:40 

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